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Above: Early archaeologists at work
on the excavation of Tarxien temple
complex, photographed by Sir
Themistocles Zammit |
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Sir
Themistocles Zammit in the summer
1916 |
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Pictures courtesy of the
National Museum of Archaeology
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When Sir
Themistocles Zammit published an account of
his excavations of a large megalithic temple
complex in Tarxien, it caused a sensation
both locally and abroad.
Besides its immediate archaeological value,
which is inestimable, the Tarxien discovery
proved to be a landmark in the context of
Malta's search for identity. It established
beyond shadow of doubt the existence of a
complex ancient culture which flourished in
Malta - even though it would take another 50
years to date the remains to around 3,000
B.C. - and also marked a transition in the
way Malta looked at its own history and
cultural heritage. The general interest
cultivated by the finds gave rise for the
first time to a public consciousness of
Malta's wealth of history, as well as a need
for heritage management, including the
promulgation of laws and measures to protect
and preserve monuments. Meanwhile, Sir
Zammit's thoroughness of method paved the
way for a new scientific approach to
archaeology.
Unlike other megalithic structures such as
Hagar Qim, the Tarxien complex had over the
centuries been completely buried under silt
and soil. By 1900, the entire area was a
tract of arable land After news of the
accidental discovery of the nearby Hypogeum
in 1913, it occurred to the proprietor that
the large buried stones he kept coming
across when trying to plough his fields may
also have some archaeological value. He
contacted the director of the National
Museum, Sir Temi Zammit, who began and
impromptu dig on his first inspection of the
site. A combination of luck and intuition
led him right to the dead centre of the
temple, and the stupefied Sir Zammit found
himself standing in what appeared to be an
apse formed by a semi-circle of enormous
hewn stones. For three consecutive summers,
Zammit enlisted the help of local farmers
and townspeople for an excavation project
which, for sheer size and scope, was
unprecedented in Malta. By 1920, he had
identified and carried out restoration work
on five separate but interconnected temples,
all yielding a remarkable collection of
artefacts - including the famous "fat lady"
statue, and several unique examples of
prehistoric relief.
The discovery firmly established Sir Temi
Zammit's international reputation, and
today, his findings are on permanent display
at the National Museum of Archaeology.
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